When I arrived as the most junior of junior designers at
Vignelli Associates in 1980, my
portfolio
couldn't have been more eclectic. Filled with excitable homages to
everyone from Wolfgang Weingart to Pushpin Studios, my design school
work begged for a diagnosis of Multiple Designer Personality Disorder.
You might have expected me to rebel against the strictures to which I
was subjected by my first employer. Instead, I willingly submitted to
them. For ten years. And, as a result, I am a better designer today.
Observatory
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